“She put a dress on at the end of each day,” Craig jokes.įilming took place in Stockholm and L.A., and after it wrapped, Mara was able to completely disconnect from the insanity. Next up was the butch transformation: her hair was chopped, she was pierced all over and the wardrobe department gave her a grungier look. “The motorcycle was the thing that I was the least excited about doing. “I couldn’t pick one thing that was the hardest it was all challenging,” Mara says. I hadn’t seen these two people working together, so I liked the thriller, the vessel of that, but I really was more interested in the people.”īefore auditioning, Mara was told of the harsh extremes that would be required of her: lots of nudity, chain smoking, riding a motorcycle, being brutally raped… and faux sex with Daniel Craig (oh, the horror).
“First and foremost was this partnership.
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“Nazis and serial killers and the evil that people do with power tools weren’t the thing that was (interesting),” Fincher says. Together they investigate what’s been haunting Henrik Vanger (Christopher Plummer), one of Sweden’s wealthiest industrialists, for 40 years: What happened to his niece, Harriet? “He’s a guy and he’s very happy to fall in this relationship where she’s literally wearing the trousers.” “What I love about this character and the relationship he has with Salander is that he doesn’t have to prove he’s a man,” Craig says. She’s an information-age Nancy Drew who teams with financial reporter Mikael Blomkvist (Daniel Craig) to get to the bottom of a family mystery. I read all three books and I had a really clear picture of who this girl was.” Regarding the character and what’s already known from the films and novels, Mara says: “To be honest, I didn’t really think much about what other people imagined it to be. Why she’s on the outside makes complete sense. To understand Lisbeth’s intimacy problems, you have to understand her: She’s raped and tortured, scarred and traumatized, always scrounging for money and, for some obvious reasons, not very trusting. “Intimacy is a problem for her, so that was the important thing to show.” “Her sexuality is less of an ambidextrous thing than something that she has to act on,” he says. Plus, Fincher adds, it has more to do with Lisbeth’s emotionally guarded self than who she sleeps with. “She’s incredibly comfortable with her sexuality, and I went into it the same. “Growing up in New York and L.A., it didn’t seem that crazy to me to have a bisexual character,” says Mara. For Rooney Mara, who plays Lisbeth in this American adaptation of the popular Stieg Larsson novel – the first in a trilogy that sold over 65 million copies and became a Swedish film in 2009 – it was no biggie. The eagerly anticipated film, brutally unflinching in Fincher’s wicked hands (remember “Se7en”?), has them waking up to each other naked the next morning.
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There are two times you see (Lisbeth) smile in the entire movie – and one of those is (that scene).” One of the things we were very particular about was when she meets Miriam Wu in the bar we wanted it to be a moment of happiness. Proud but opposed to taking all the credit for any kudos having to do with downplaying the character’s swinging sexuality, the “Fight Club” director continues: “We started with the source material, and that’s what the book described. “Thank you,” says the thriller’s director David Fincher, where he’s come together with the cast during press day at New York City’s Crosby Street Hotel. She’s also sexually ambidextrous, something seldom portrayed in a movie as mainstream as “The Girl with the Dragon Tattoo.” Bisexuality, for once, is no big deal.
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Tattooed and pierced, dressed in full black and the very type of social recluse who’s as mysterious as her body art, Lisbeth Salander is the quintessential outsider.